Monday, October 5, 2009

Hydrogen Peroxide Stomach Ache

To worship in spirit and truth


Pena after a long time I will have to write a complaint but with his hands. I know that this type of comment makes me terribly unpopular. But "I am a friend of Socrates, but the truth s friend."

is not, however, a simple complaint, but "the zeal of your house consumes me." I can not bear to see so much lack of control and lack of sense in what I see, especially in reference to the liturgy, the center of our lives.

Before, I would like to clarify in simple and not so learned or gimmicky words why the liturgy is the center of our lives and the Church:
  1. Because it is the sacrifice of Christ, perpetuated for ever, left by himself to make us partakers of His divine life. That means that the Eucharistic Sacrifice is not a human invention or anything, but it is foreshadowing of the Divine Liturgy, a foretaste of heavenly things-that's why it do not have much to do with our fashion and worldly tastes.

  2. Because we can say, contrary to the Protestant-that Jesus Christ is really present in the Eucharist. That means that while not concerned with our external transport, that does not mean we we should not worry about that. I'm sure the Pope will not worry for me in sportswear or too short for him in his office, knowing that he is humble, but I would be a total idiot if I submit like that in front of him. How much more before God?

Given these two things, I must say that today we see more and more incredible abuse of trust and closeness to God. No one respects him. This issue of "heart religion" is coming increasingly to the absolute limits, and we see directly into the liturgy. The liturgy should not only engage the heart, but the whole body: Love the Lord your God with all your heart and with all your soul and with all your strength . But to see so much slack in the care of the liturgy, the exterior size, in the "things above", it seems that we love him with all our strength.

Pictured above: a semi-breasted women out receiving communion in a Minister of Communion from a chalice that looks more like one of those aluminum vazos to drink beer in a poky old town in the interior. None of solemnity, no care, no worship. What the minister is offering? Some kind of cookie or sweetbreads? No sir! Is the Body of Christ. For the tycoons and princes of this world feel at the top, but it receives Christ in hand, without reverence, without solemnity, it holds in any container and gives it to anyone.

But do not think that I am a traditionalist sour. The next picture shows a mass celebrated in Summer Beats (a giant party DJs organized Catholics in Brazil) where you see a lot more care and attention. I liked it. And it seems more worthy.


But back to the first picture. Now ask: If Christ is present even in the particles of the Eucharist, you know what will happen next with the particles remaining in the hand of this woman? For the Eucharistic Christ will go to the place where this woman put her hand. What if he falls to the ground? And no one will pick it up until it is stuck to the sole of the shoe of someone. What if it takes the hair with your hands? And the particle of the body of Jesus Christ will be there until it swept the bath shower and go to stop the drain. And I'm not exaggerating. Thank God that Eucharistic bread, when it ceases to be bread-within minutes of wet-ceases to be the Body of Christ. God is wise and that comforts me.

Zeal for your house consumes me and I can not be quiet while watching as the people of God did not discover the greatness of his treasure, the Eucharist, because their own pastors are lazy and inconsistent, more concerned with his reputation than his Lord . But even here the issue.

May God bless us and not lead to the holy mountain, for knowing as we worship in spirit and "true" (error volunteer).

Wednesday, July 29, 2009

Who Makes Guide Gear Products

Concierto de Aranjuez / Spain




While Spain by Chick Corea takes only Adagio from Concierto de Aranjuez as an introduction, could not miss the opportunity to show the previous documentary.

Spain is a fusion jazz instrumental composition and best known part of Chick Corea, and considered a standard of modern jazz. Korea was composed in 1971 and reflected in the album Light as a Feather accompanied by Airto Moreira (drums), Flora Purim (vocals, percussion), Stanley Clarke (bass) and Joe Farrell (flute).

"If there's one song that listeners recognize me better I think this song is" Spain ", and that is where I have more orders and listen to cite more than others. I wrote it in 1971 and often played RTF and others of my bands. " Chick Corea




This piece has been adapted and Chick Corea reharmonizations many times, reinventing it in every concert disc and presents. There are many great versions highlighting the extraordinary performance at the Palau de Barcelona Jorge Pardo (sax and flute), Carles Benavent (electric bass), Rubem Dantas (percussion), Tom Brechlein (drums) and dancers Auxi Fernandez and Tommy.


Part 2 Part 3

An interpretation that has captivated me is the one that makes Korea Hiromi Uehara piano duet. Trained child prodigy in classical piano, has an encounter with Chick Corea when she was only 17 years, which definitely changed the trend towards jazz. Shortly after traveling to the prestigious Berklee school in Boston, USA to develop his talents as a pianist and composer.

Their first album was a revelation for the jazz scene and made her the most important virtuoso in his instrument in style. His debut, Another Mind (2003), is a great album where so sensational shows his great gifts as a pianist, but even more, the amazing compositions that this timid Asian then only 23, was capable of doing. Compositions both in quality and speed, may be expected from musicians with vast experience in the genre. Then came an album with funky colors, Brain (2004), and one more focused on jazz ballads, Spiral (2005), both also top quality. Hiromi

simplementejazz.blogspot explained in duets album: "Ten years pasron and the Tokyo Jazz Festival 2006 played with Chick again. After the show, suggested to record a CD together. I was speechless for a minute ... A year we had three nights of musical treasure hunt at the Blue Note Tokuo. I was inspired I enjoyed it and learned something every second. "Hiromi Uehara

Enjoy.

Monday, June 1, 2009

Can You Sunbath Toplesson A Cruise Ship

Teen Spirit Spiritual

Smells Like Teen Spirit by Nirvana

Many consider" Smells Like Teen Spirit " as the anthem of the nineties, and even more, as the anthem of Generation X. Launched in 1991, the song came in a music scene that saw the end of the popularity of hair metal of the eighties. The song, accompanied by his famous music video, talked about a picture of teenage rebellion that was very well received by its audience. It is considered with great unanimity to "Teen Spirit" as the song's most famous grunge genre, and its popularity opened doors to many bands of this genre.


In Heavier Than Heaven, Kurt Cobain biography written by Charles Cross says that the song refers to the breakdown of Tobi Vail with Kurt. This argument is based on several letters published in the book about Cobain's journals (Journals) and "Why do not you cry when I'm here / Oh do want what is best for you" and "Who will be the King and Queen repressed teens. "

But Cobain did not believe that the letters had a specific meaning. In an interview with the music channel MTV said: "I realize that people expect ... a thematic angle with our music, you know - they want to" read ". But what I did was to put pieces of poetry and garbage only stuff I loved then, and often write lyrics only at the last minute because I'm lazy, so ... then do not understand why people try to seek some meaning ... " Cobain did not use this as an example of how your letters may not have any meaning, but as proof that a song does not necessarily have any meaning (like "Smells Like Teen Spirit", with a break, or a "revolution " - How has generally been suggested). Another possible interpretation of the letters was made by bassist Krist Novoselic Kurt hated 'mainstream'. That was the 'Teen Spirit'. Conformist mentality of the people "

" Teen Spirit "is a U.S. deodorant sell the company Colgate-Palmolive. Cobain took the name of the song when a friend, Kathleen Hanna, lead singer of the punk band Bikini Kill, spray painted "Kurt Smells Like Teen Spirit" on his wall. Because they were talking about anarchy, punk rock and similar topics, Cobain took it as a slogan for this cause. The true meaning of the message of Hanna, was that Kurt smelled like deodorant that Vail (By then girlfriend and bandmate Cobain Hanna) used, meaning that Kurt smelled like a woman. Cobain claimed that he knew it was a deodorant, and finally was in a bad mood because a product was mentioned in the song. In the months following the success of the song, Colgate-Palmolive created an ad campaign to try to make some profit by the connection.

& amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; lt; a href = "http://www.youtube.com/watch?v=_emm2_T_nx4" target = "_blank" & amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp ; amp; amp; amp; amp; amp; amp; amp; amp; gt; http://www.youtube.com/watch?v=_emm2_T_nx4& amp; amp; amp; amp; amp; amp; amp ; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; lt; / a & amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; gt;

With the lights out
It's less Dangerous
Here We Are Now
Entertain us
I feel stupid
And contagious
Here We Are Now
Entertain us

Swings Like Teen Spirit

usually listen covers of old songs with modern rhythms (sometimes all versions old and soft or pop). But how does one hear a song from the grunge of the nineties, the generation of depression, no direction, no future and in the chaos, when it is the roaring of the swing, where modernity and the future were bright? Paul Anka

out of context the song, and although the letter still does not make any sense, becomes a vulgarity. Surrounded by great musicians and a musical arrangement of high quality, it seems that the song was written four decades ago. High is the ease with which he sings Hello, hello and spread the slam, I mean swing.

& amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; lt; a href = "http://www.youtube.com/watch?v=TsS811o21-k" target = "_blank" & amp; amp; amp; amp; amp; amp; amp; amp; amp; amp ; amp; amp; amp; amp; amp; amp; amp; amp; amp; gt; http://www.youtube.com/watch?v=TsS811o21-k& amp; amp; amp; amp; amp ; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; lt; / a & amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; amp; gt;


Smells Like Nirvana

And I could not miss the parody of Weird Al Yankovic, mocking not even understand the lyrics, or what he sings Kurt Cobain.

Saturday, May 23, 2009

Best Blu Ray Plays At Upconverting



Spiritual
Josh Haden



Original played by Spain


Jesus
I do not want to die alone My


wasn't true love Now all i have is you Jesus


If you hear my last breath Do not leave me here

Left to die a lonely death I know
I have sinned But I'm
Lord Jesus Suffering



All my troubles All My
pain Will leave me Once again


Beautiful version of Charlie Haden and Pat Metheny


How Long Malar Rash Last?

Vela Pulsar



In July 1967, caught a strange radio signal sequence. They were looking for quasars using a technique called IPS (interplanetary scintillation) in a radio telescope designed by Antony Hewish. It was the telescope that we used to, such as satellite dish. This consisted of a thousand posts about 3 m in height which held two thousand antennas (dipole) connected. The show, from 1.6 ha in size and with a couple of hundred miles of cable and wire, called Interplanetary Scintillation Array (Array IPS) and was at the Mullard Radio Astronomy Observatory at the University of Cambridge.

The IPSA explored a region of space between 50 ° and -10 ° with a periodicity of four days. The results were printed with pen on paper rolls at a rate of about 34 m per day. These records were examined manually by Jocelyn Bell Burnell, at age 23 was working on his doctoral thesis. Within a few weeks to analyze the records, Jocelyn found some signs that did not fit the typical scintillation of quasars they studied but did not seem interference. Also realized that although they disappeared and reappeared, came from the same region of space.


Jocelyn Bell in the IPS Array (1968)

According to his thesis advisor, Antony Hewish, decided to accelerate the paper to have a better discrimination of the strange signal. This could not be done continuously because it involved about 3 km of paper per day so it was sought only the right times. For weeks Jocelyn was not able to find the happy signal until one night in late November 1967, reappeared. It was a regularly spaced series of pulses.

One night before Christmas, Jocelyn began to examine other areas different in the records and found something that looked similar in the area of \u200b\u200bα-Cassiopeia. Confirmed that appeared on other days and some hours later analyzed with the telescope suspicious area for just five minutes: the pulses were clearly with periods of 1.2 seconds.

A comprehensive analysis of the records allowed to find two new sets of signals were already four. Although called LGM2, 3 and 4, the hypothesis of little green men fell apart: it was highly unlikely that four alien worlds sent at a time and at the same frequency similar signals from as far away. Had to be another cause.

From that moment and after a period of popularity, "media", Jocelyn Bell left the comments and went on to take forward his thesis on quasars, their original objective. Then he changed his place of residence and work and never returned to work on the issue that made fleetingly famous. He followed his college career and this year 2007, 64, received an honorary doctorate from the universities of Oxford and Durham.

The source of the unusual signs proved to be a hallucinogen type of star that was named pulsar (of pulsating star). Pulsars have a mass similar to that of our Sun, only a small area of \u200b\u200bfew tens of km in diameter. Are a type of neutron stars with a magnetic field more intense than Earth, about a billion times or so. The radiation is emitted at the poles of that field, not being aligned with the axis of rotation, the star becomes a cosmic lighthouse. The rotation periods of pulsars are difficult to assimilate: the LGM1, called PSR B1919 +21 then, is 1.3373 s, PSR B0531 +21 (Crab pulsar) rotates 30 times a second, PSR B1937 +21 has a period in 0.0015578 s, ie, turn 642 veces por segundo. La superficie de este púlsar se mueve a 1/7 de la velocidad de la luz.


El púlsar Vela por el observatorio de Rayos X Chandra

Es una estrella que emite radiaciones a intervalos breves y regulares, como si se tratara de un radiofaro.
Este singular comportamiento se explica admitiendo que los púlsar son estrellas de neutrones, en rápida rotación alrededor de su propio eje. http://golemp.blogspot.com/

Y así suena el pulsar Vela:
<a href="http://www.divshare.com/flash/playlist?myId=7188629-fa2" target = "_blank" & amp; amp; amp; amp; gt; http://www.divshare.com/flash/playlist?myId=7188629-fa2& amp; amp; amp; amp; lt ; / a & amp; amp; amp; amp; gt;

The other version

Le Noir de l'etoile III. Vela Pulsar

Grisey composed the work after meeting the astronomer and cosmologist Joe Shiloh in 1985. "... He introduced me to the sound of pulsars. I was seduced by the sounds of the Vela Pulsar and immediately asked me, like Picasso when he picked up the bike seat, 'What could I do with this?' "He explains in an introductory of the work. The answer came quickly. The composer joined the sounds of pulsars, without any manipulation, musical work, leaving it there simply as a point of reference, using the frequencies as time and developing the ideas of rotation, frequency, deceleration, acceleration and small faults seduce both astronomers. "



Le Noir de l'etoile consists of six parts, two of them devoted to the Vela Pulsar and the Pulsar 0329 +54, plus an introduction and three movements. A work that is also perfect for the Festival by the International Year of Astronomy. "Heaven is a place of noise, rhythm and violence, says of this work of Grisey French astrophysicist Jean-Pierre Luminet. Grisey's music is, in fact, as the image of the stars, sometimes rhythmic, violent, disturbing, stuttering, constantly returning to start. "

Thursday, March 19, 2009

Best Motor For Electric Go Kart

Viens Mallika

Leo Delibes ( Saint Germain-du-Val 1836 - Paris 1934) French composer and organist. Gained fame as author of the ballets The source (1866), Coppelia (1870) and Silvia (1876) and operas lyrics Lakmé (1883), his best work, and Kassy , his last opera. kalipedia

Lakmé is one of the finest examples of French oriental style that permeates the music gala in the last quarter of the nineteenth century. Stage work is a lyrical, light, very much in the French bourgeoisie of the nineteenth century. Despite its conservative nature, has uniquely beautiful melodies and meticulous orchestration that has stood firm in the current operatic repertoire. This opera tells the impossible love between the daughter of a Brahmin and an English army officer during the English colonization of India.

Sweetly deslicémonos:
its enchanting waves
follow current and fleeting
trembling in the water.
With
hand are lazy, get to bord e,
where the bird sings.
Under the dome thick
under the white jasmine
ah! go together.


Joan Sutherland & Marilyn Horne


The other version.

After belonging to the group Billy Cobham "Jazz Interactions" was launched as a leader in the recording studio with the album "Inner City Blues" recorded in 1971 for the series of the legendary jazz label "Motown" ; a meeting tentatively scheduled for teacher Hank Crawford. Although it was not until 1980 when it reached its highest artistic expression to the recording for Elektra label entitled "Winelight" an explicit fusion album also earned a Grammy twice. His influences were saxophonists classic jazz, although his style, based on a warm sound and a melodic phrase and vehemently sought support of obsessive rhythms and easy listening dance clear vocation. Contributed to disclose, in its way, some features of jazz that also benefited less fortunate, musicians like Kenny Garrett. Its progressive distancing from the fields of jazz, to pursue a more commercial production, we subtracted specialized attention in jazz circles and was forgotten by the fans, who watched as his music drifted otherwise. apoloybaco

Grover Washington Jr.

The "Flower Duet from" Lakmé is Posthuma disk Grover: "Aria" (Grover died in 99 to 58 years). A smooth jazz melancholy that shows it has always been followed in this genre from other saxophonists. If the smooth jazz always had the quality that he gave Grover Washington Jr. would not be seen as a genre "commercial."



Sunday, January 25, 2009

What Shortness Of Breath Could Mean

The people united will never be defeated


contemporary milestones often are remembered through the songs that accompanied its protagonists. In Chile, the rise to power of the Popular Unity, in 1970, had two great hymns, popularly recognized today not only in our country. "We Shall Overcome" and "The people united will never be defeated" are the two most famous creations Sergio Ortega, a musician nortino also occupied in the world scholarly works, stage and film, and that is associated in the most creative projects big names in the New Chilean Song (mainly Quilapayún groups and Inti-Illimani). In addition, his work with Pablo Neruda shaped opera and death Fulgor Joaquin Murieta, the only work of the genre's signature Chilean Nobel. The author settled in France after the coup, and his death in September 2003, was international news coverage.


"Know this: You're never more Chilean while away, that's the first thing you need to know. It never goes as deep into the heart of the country when you do not have near" (.. .) "I talk a little about the New Chilean Song. It was a concern I've ever had, not because it is new or Chilean, but why there? How was it? (...)" The Nueva Cancion Chilena was absolutely inevitable, beyond the will to fight (Advis) or Horacio (Salinas)-to whom this invitation, thank you, mine or that of all the comrades who did, have done and continue to make the Nueva Canción Chilena, which is still new in Chile. It was inevitable because there was a big wave, a wave that moved the country from the bottom up. It was a wave that went through all that filtered everything. There was no object, was a wave of change. We, of that time and we were not the same, as Neruda said. We were something else. We were mobilized to something else. "(...)" It's no coincidence that the year '65 a group of boys said: "We are singing very softly in Chile, we cry a little. We are playing very softly. We are very quiet in Chile. We will hit harder. " That group of boys called Quilapayún Quilapayún ... I pay tribute to whom many things separate me but I pay tribute to the history of Quilapayún and the role that this group met with all of us in the battle, memorable, bringing the immense Chilean people entering the universality of the twentieth century "(...)" And I say that the wave that moved us all was so deep that gave us back in and we said, of course, are writing chamber music-that's what I thought, "but we are calling from outside, the people are striking out. You open the window and it is the people. We can no longer locked in our work. Then I realized that indeed the Nueva Cancion Chilena is inevitable because it is a new form that corresponds to a new content and that is inevitable. We do what we want to we can arrange fences, trenches or we can arrange everything you want but when the story happens, happens. There is nothing that can address the history. "

Sources: http://www.musicapopular.cl/2.0/index2.php?op=Artista&id=1208 http://lavquen.tripod.com / arsergioortega.htm



In 1982, bassist Charlie Haden Liberation Music reunite the pair Orchestra create an album full of sadness, Beauty and songs of Carla Bley libertad.Con arrangements and accompanied by Sharon Freeman, Mick Goodrick, Jack Jeffers, Michael Mantler, Don Cherry, Gary Valente, Steve Slagle, Jim Pepper, Paul Motian and Dewey Redman.


Haden and Bley create a suite of songs of protest Latinomaerica and Spain, entitled The Ballad of the Fallen - "The Ballad of the Fallen" song Salvadoran found in the body of a slain student by the Guardia Civil. From the Catalan songs "Els segadors" and "And the holy thorn" to the Chilean "The people united will" make an angry and cathartic tribute to the fallen in the antifascist struggle. Contemplative and dismal tone of the work we suggests that it is not jazz.



Born in 1938, American composer and pianist Frederic Rzewski studied with Milton Babbitt and Roger Sessions in the country and in Italy with Luigi Dallapiccola. He soon began performing as a pianist, premiered works by Stockhausen and Wolff, founded the group Musica Elettronica Viva, combining improvisation and live electronics, and composed his first works. However, not until 1975 that won fame with The People United Will Never Be Defeated, a synthesis of styles and techniques of modernism, reflected in a score of post-Romantic grandeur.


The range of styles ranging from art and effects on the piano to free jazz passages, through allusions to blues, folk music and a dense polyphony. By the first half of the piece, the song is bolstered by working Ortega another revolutionary song, Solidaritätslied of Hanns Eisler, and at various times quoted Italian song Bandiera Rossa. Rzewski's interest in improvisation at the end of the piece, just before the return of the item, when the pianist has the optional opportunity to improvise and provide their own comments on what has happened.

Source: http://www.beethovenfm.cl/index.php?option=com_content&task=view&id=2361&Itemid=49

Here the first and the last changes

With Rzewski.


With Bobby Mitchell