Wednesday, July 30, 2008

Movies Corporal Punishment





Heroes David Bowie / Brian Eno Taken from the blog

1000 Mirrors

was 1977 and several events gave the talk of the music world: a worn Elvis Presley died of an overdose, the Sex Pistols got their irritating and powerful album Never Mind the Bollocks, while the television is launching the legendary Marquee Moon. By then, David Bowie was risking one of his most controversial and historic hits "Heroes."

The story goes that Bowie spent his days in Berlin, in a tough rehabilitation for cocaine, when peered from her window two lovers having a meeting at the Berlin Wall. "I thought, from all places to meet in Berlin, why choose a bench that was under a guard tower of the Wall?" He said at the time the singer.

The author sobbing with anger at these doomed lovers, who find redemption time together, just for a day. A story of love which was music by big names in British music, including the same Bowie (vocals, sax and keyboards), the former Roxy Music, Brian Eno (keyboards) and Robert Fripp, King Crimson guitarist (guitar .) A tough combination which, added to the production of Tony Visconti (T. Rex and Morrissey today) resulted in a composition so melancholy as contingent.

The exceptional letter - co-written by Bowie and Eno - shows an ironic aspect, yet highly romantic and triumphant. Perhaps it is this quality to say more than it appears the reason why so many bands of different styles and musical influences are identified and moved by this song, making their own attempts to reinvent it. Nico, Blondie, The Wallflowers, Billy Corgan, The Magnetic Fields, Oasis, among many others have this classic remakes.

"Heroes" speaks of love, longing and hope in a time when the difficulties are greater, the more restricted space and increased anger. It has become over time an anthem of hope, that shouts loudly against repression and anonymity and for the love and courage, through a successful and emotional chorus that continues to inspire many: "We can be heroes, just for one day. "



The other version


Philip Glass Taken from Philip Glass page

Just as composers of the past have turned their gaze to the music of time to create new works, the work of Bowie and Eno became an inspiration and starting point for a series of symphonies own.

As I have been involved in the dance world for many years, naturally I mentioned the Symphony "Heroes" to the choreographer Twyla Tharp nortemericana. Plainly wanted to "Heroes" for his new dance company, and soon we met with David. He shared immediately entusiasmpo Twyla and I found myself writing a symphonic score that became ballet.

- Philip Glass Philip

has put more of himself in this new album, but the irony is that I think actually more stressed in my original voice. Play this material is a bit like being introduced to a brother or sister to tell you that you have and which you did not know its existence. And when you know, obviously the familiarity of family traits highlights, but there is a whole life and all these things have grown without your knowledge. The music has features that recognize immediately, but has its own life It has nothing to do with me. Has all those expeirencias .[...] I do not know I feel much closer to the intimate feeling than trying to do.

- David Bowie.

minimalist version of Philip Glass.





The difference between a version and the other is 20 years and a wall. It seems that the feeling of injustice Bowie version is transformed into a more hopeful world.


Yet another


Aphex Twin remix version Aphex Twin is responsible for work that may be shocking to many ears. Mix Glass's orchestral music with Bowie's voice is not easy and for some the outcome is not the best. Maybe it's that the two disparate views expressed feelings. But listen out of curiosity, the work of Aphex Twin is great and is backed by a long career as a DJ and the incursion of his compositions in the repertoire of the London Sinfonietta. It is an eccentric musician and irreverent. The second time you hear it and know what to expect and perhaps form a better opinion.



Aphex Twin - Heroes

& amp; amp; amp; amp; amp; amp; amp; amp; amp; lt; a href = "http://www.mp3tube .net / play.swf? id = 1d20b10456b96eb5b5f580f0c7a9dfff " target = "_blank" & amp; amp; amp; amp; amp; amp; amp; amp; amp; gt; http://www.mp3tube.net/play.swf?id=1d20b10456b96eb5b5f580f0c7a9dfff& amp ; amp; amp; amp; amp; amp; amp; amp; amp; lt; / a & amp; amp; amp; amp; amp; amp; amp; amp; amp; gt;

liandus fasus

Wednesday, July 16, 2008

Is It Safe To Defrost Sausages In The Microwave



Theenus Collaboration.

Bolero by Maurice Ravel


http://cache.eb.com/eb/image?id=38636&rendTypeId=4

The Bolero (Bolero French) is a musical work by French composer Maurice Ravel in 1928 and premiered at the Opera Garnier in Paris on November 28 of that year . Ballet compound and dedicated to the dancer Ida Rubinstein, his immediate success and rapid spread universal not only made him one of the most famous works of the composer, but also one of the exponents of twentieth-century music.

orchestral movement inspired by a English dance, is characterized by an unchanging rhythm and tempo with a haunting melody in C major, repeated over and over again without any change except for orchestral effects, in a crescendo that, in extremis, finished with my higher modulation and a thunderous coda.

Ravel Although he considered the work as a simple study of orchestration, the Boléro lies a highly original and concert version has become one of the most performed musicals worldwide, to the point that until 1993 remained in first place in the world ranking of rights of the Société des auteurs, éditeurs et compositeurs of musique (SACEM).

Ravel himself described this work: "It is a dance movement in a very moderate and consistently uniform, both melody and harmony and rhythm, the latter marking the drum incessantly. The only element of diversity is provided by the orchestral crescendo. " If the work was composed as a ballet, instrumental solos suite highlights the individual talents, but also collective homogeneity of each desk, and that all orchestra members participate equally in the unabashed support: it is the very definition of a new musical genre that sees the light at the time: the "Concerto for Orchestra." The rhythmic and melodic character Hispanic, and even more specifically Andalusian also approach the spirit of the rhapsodic compositions very fashionable in the late nineteenth and early twentieth centuries.

Rhythm


adopted by Ravel The rhythm is the rhythm typical of the bolero in three stages, marked 'Tempo di bolero moderato assai "(" very moderate bolero time). Contrary to the original dance, traditionally accompanied by castanets and tambourines, chose the drum orchestra, orchestral metamorphosed after box to mark the rhythm of this traditional dance. The rhythmic cell comprises two nearly identical bars with very little variation in the third period of the second bar. The ostinato is repeated by one, then two boxes orchestral, from first to third last time, then follows the great crescendo, finally being touched by the whole orchestra in the coda. From Wikipedia







The other version



In honor of Zappa-week, we have this wonderful live album, a tour between February and June 1988. This collection includes big-band arrangements (other 3 guitars, keyboards, bass and drums, there are trumpet, trombone, saxes fed (high soprano, baritone and tenor (is it open parentheses within parentheses?, Say in mathematics uses)), clarinets and percussion). concert favorite (read: Heavy Duty Judy, More Trouble Every Day) and deranged versions of (what we are dealing with us) covers.

In particular we have this exquisite rendition of Bolero fairly concise (only 5:19 min) and light touches of humor (a brief tribute to The Knack).



Apart disc covers the following features: Ring of Fire (Mr. Johnny Cash), I left my heart in San Francisco, Purple Haze, Sunshine of Your Love, When You Irish Eyes are smiling, the theme of Godfather II, and wonder of wonders (whatever it says my buddy Henry) Stairway to Heaven.